horseboy

  • written 2024 mar 30

    Cult Leader

    “Learn to Love It”

    New Cult Leader single “Learn To Love It” is out (yesterday, 29 March 2024). Time for the catharsis to begin again. Seriously, their music has broken open the little bits I didn’t think could. An almost spiritual/meditative experience every time. Cult Leader is brutal and raw cathartic hardcore.

    written 2024 mar 28

    Grimdor

    A Long-Expected Party

    “Goodbye My Dear Bilbo”

    I…A sliver of my childhood lives with me in this music, right now. Grimdor continually puts out heartfelt Tolkien-inspired music. A Long-Expected Party is the newest album and keeps with the dark/deep euphoric synth sound.

    written 2024 mar 22

    A Pregnant Light

    You Know Who

    “Inverted Pyramid”

    Ah, thank you, Bandcamp for this album “send” to my feed. You Know Who (15 March 2024) is a compilation of A Pregnant Light‘s music and it’s the first I’ve heard of his work. This gazecore/crustgaze (whatever fun genre to call this project) is full of emotional and raw tracks that are (a theme of my likes too) some metal equivalent of crusty dark pop that brought my dark mood up the other day and now I’ll keep coming back to it. Please keep making more.

    written 2024 mar 22

    Russian Circles

    Guidance

    “Afrika”

    New [photography] post and music rave/rec all in one, let’s go! I first saw Russian Circles in 2016 and have been listening since 2006. They played in the dark the two times I saw them until this [third] show in November 2022. It is beautiful to see how happy and into the music they are as they’re playing, lights on. Their discography is soft yet dark, harsh yet stunning. I absolutely love going to shows, you can feel the music more, literally reverberating, and with Russian Circles the feeling is the same for me no matter where I listen. Utterly enchanting.

    written 2024 mar 20

    The Sawtooth Grin

    Jabberwocky

    “A Cloud A Cauldron A Colony”

    I didn’t know this was what I needed. “It’s the re-discovery and re-classification of a missing link. One that proved too unwieldy for our younger selves to unearth.“—The Sawtooth Grin excerpt description about their new album, Jabberwocky (15 March 2024). I started listening to The Sawtooth Grin when their first album came out (I was around 11 years old 🐥) and it feels a step beyond nostalgic, they hit the spot in all of their math-grind glory. For me, their lyrics and musical tone line up with what I have been reckoning with as an adult…to face the darkness that was childhood with a new understanding and care for the child that never was/never got to be. Some members of The Sawtooth Grin are/were also in The Dillinger Escape Plan, The Number Twelve Looks Like You, Palm Ghosts, Cloacal Kiss, and Black Table.

    written 2024 mar 18

    Weston Super Maim

    See You Tomorrow Baby

    “See You Tomorrow Baby”

    It’s a bird, it’s a plane, nah it’s Weston Super Maim. This one is for my wonky metal lovers—they’re compared to Meshuggah and Car Bomb in reviews but I think you also gotta include cult 80s or 90s movie club scenes to get the full picture. See You Tomorrow Baby features tracks with members of Frontierer, Soreption, and Blindfolded and Led to the Woods.

    written 2024 mar 18

    Birds in Row & Coilguns

    You and I in the Gap

    “The Blessing”

    Thanks to this combo EP You and I in the Gap that came out 02 February 2024, I got introduced to noise rock band Coilguns after having heard about Birds in Row. These three tracks made over 7 days are raw yet glossy, and well done. I’ve been listening to it on repeat.

    written 2024 mar 18

    Recent Listens

    Bleak, KOLLAPS\E, Convulsing, Horseboy, Church Chords, Omerod, Sorcerer, Griffon, Grails

    written 2024 mar 16

    Sorcerer

    DEVOTION

    “Devotion”

    This little one [babycat] is judging me for not sharing music for the past little bit. I gave Sorcerer a listen as soon as their new single Devotion came out on 2024 March 08. They are a French hardcore band and they provide some real nice breakdowns that are just nonstop. Check out their small album, Strangers, with Pencey Sloe that mixes Sorcerer’s hardcore sound with Pencey Sloe’s shoegaze that’ll make you want more—reminiscent of Bloodmoon: I, the Converge collaboration with Chelsea Wolfe.

    written 2024 mar 13

    Bleak

    My Body Is Not Where I Belong

    “Vile Blades”

    So, I just heard of this band called Bleak. They came out with an album two days ago called My Body Is Not Where I Belong and they sound like a cross between the Queen of the Damned soundtrack and the band Movements and I love it. It just makes me so happy. Thank you, Bleak for being so relatable that your sad, energetic hardcore music “be stills” my dissociative heart.

    written 2024 mar 08

    Omnerod

    The Amensal Rise

    “Spore”

    Not sure how more people haven’t heard of Omnerod. They’re a prog death metal band with comparisons to Devin Townsend and with hints of bands like Between The Buried and Me, Leprous, and even Incubus circa Fungus Amongus (with Omnerod’s song “Spore” especially). They’re so mood boosting and full of energy. It would be an incredible experience to see them live.

    written 2024 Mar 07

    Cult Leader

    A Patient Man

    “to: Achlys”

    I must be feeling some type of way to be listening to this album by Cult Leader, especially before going to a show. Never fails to make me cry (see album cover). Some of the rawest music I’ve heard, and in progressive hardcore parcel that seems to made for me. I would love to go to one of their shows some day and photograph them.

    written 2024 Mar 01

    Idles

    CRAWLER

    “MTT 420 RR”

    I ordered IDLES‘s CRAWLER only a few days ago along with their hug shirt and it came in on my birthday🥺. My friend and I message their lyrics back and forth to each other. I love them. Their dancing. Their rawness. A gift for every day. They feel like a beautiful cathartic cry.

  • 2024.02 February Music Recs

    written 2024 Feb 29

    Uncle Woe

    Oblivion and Further Disasters

    “Oblivion and Further Disaster” (off Well)

    With a name like Uncle Woe it’s unsurprising they sound like longing and something played at an End of the World Party. Songs off Oblivion and Further Disaster (to be released 08 March 2024) reminds me of falling asleep on the phone past midnight with a childhood crush, drinking on the beach watching the sunrise, and sitting out in the rain too long after everyone has gone in. There’s a quality of feeling detached yet pulled in due to the distortion/echoing. It’s poetic and melancholic post-doom metal and a lovely new find for me.

    written 2024 Feb 28

    Job For A Cowboy

    Moon Healer

    “Into the Crystalline Crypts”

    I’ve known about Job For A Cowboy since I was a baby preteen back in the early 2000s (so, since they started out) but I am/was stubborn because I like to discover music on my own and these guys were recommended to me by someone I met online via AOL chat and I didn’t give them a real listen—I also wasn’t into tech death at the time 😱. They’re back with a new album (23 February 2024), their last one came out 10 years ago, and I really enjoyed it. Drummer Navene Koperweis (Entheos, Fleshwrought; formerly Animals As Leaders, Animosity, Hoods) is on the album and does beautiful work. Moon Healer is cohesive and potentially more melodic than their last albums. As someone who still doesn’t listen to tech death as much as some, I am very pleased.

    written 2024 Feb 27

    Glassjaw

    Worship and Tribute

    “Stuck Pig”

    Another record store find, this time of Glassjaw, a band who I first started listening to around 2001/2002 when I was 11/12 years old. I found out about them shortly after Neurosis (Pain of Mind) and Glassjaw ended up being that other side of hardcore—post-hardcore and sweet, acidic, and not so much punk—they ended up being a repeat Walkman listen (“home is where the heart is” /) “on the bus“. They do purposeful beautiful chaotic music well.

    written 2024 Feb 26

    Weekend Nachos

    Worthless

    “Dubviolence”

    I want to say that I listened to Weekend Nachos when I was a kid but can’t say for sure. I was reminded of them while doing BTS work for a music video a couple weeks ago, and today found their Worthless album when on a whim stop-in to a record store. They’ve got me happy and nostalgic for all the anti-capitalist, queer/ally hardcore bands I listened to as a kid and have been listening to again—it all goes in waves, doesn’t it. I appreciate the brashness, yet thoughtfulness of the lyrics and sludge/hardcore mixed together.

    written 2024 Feb 23

    HIPPOTRAKTOR

    Stasis

    “Silver Tongue”

    HIPPOTRAKTOR released a single 20 February 2024 which is how I first heard about them…only 3 days ago! They remind me a bit of Junius or The Ocean with their prog/post-metal sound; some industrial metal slips in too. The full combination is quite mesmerizing. When I listen to their last album, Meridian, it feels like being called out across the sea, similar to a siren song, and soon pulled in and dealing with turbulence and the journey across.

    written 2024 Feb 21

    Cult of Luna

    Somewhere Along the Highway

    “Finland”

    Somwhere Along the Highway by Cult of Luna is one of my favorite albums and left one of the deepest impressions. I first heard the album when it came out in 2006 and I had just turned 16. Later when I got my license I would drive for hours listening to it, often—along the highway—on my trips to and from the mountains. I’ve always loved the mixture of vulnerability and harshness in music and Cult of Luna solidified that love. They’re also a band who continues to create beautiful music that ages well and makes you want to listen to again and again. Because of my relationship with their music I usually have to prepare for deep emotions when listening, but maybe they evoke that in everyone(?). Whatever the case, their atmospheric sludge, post-metal sound is one I’ll continue to listen to, and have for almost 20 years now.

    written 2024 Feb 20

    HORSEBOY

    HORSEBOY

    “Deep Hunger”

    I like a few bands with “horse” in their name and this is the newest one. HORSEBOY has the energy of Brainiac mixed with some Cobalt and Dillinger Escape Plan. I messaged a friend about this band saying, I really like HORSEBOY, and they responded, excuse me, they’re called centaurs. Anywho, please listen to these amazing noisy post-hardcore centaurs! Also, if you haven’t checked out Brainiac yet, please do. Brainiac have been a huge influence on so many bands—and I’ve loved them since I was a teen.

    written 2024 Feb 20

    Olhava

    Sacrifice

    “I See Myself in Your Eyes”

    Olhava’s new atmospheric/melodic/blackgaze post-metal album was released last month and is soothing af; it’s constant(ly) in flow. I may only be able to compare it to Violet Cold, maybe some Breaths? It’s music I could study with, cocoon in blankets with, and get lost in thought with. So beautiful <3.

    written 2024 Feb 19

    ORUM

    Kosmos

    “Silent Hunt”

    I had been getting into fast, fast, fast music when I happened upon ORUM whose music is slow, slow, slow. And maybe it’s that it was the end of the night because the transition was seamless—although I attribute it more to their atmospheric post-doom sound. They have a great buildup and tension, which is just what I need lately.

    written 2024 Feb 17

    Griffon

    De Republica

    “La Loi de la Nation”

    I do not mean to adore French metal specifically but I seem to not be able to help myself. Here’s looking at you Plebeian Grandstand, Year of No Light, Aodon, and more. Griffon is a band I stumbled upon today, their album “De Republica” came out yesterday, 16 February 2024, and today I listened to it in full, in one sitting, before work. Griffon has some classic black metal sound with occasional overlapping vocals, which I love, fast drums, beautiful guitar/bass breakdowns, which makes the crashing waves of melodic black metal that I cannot get enough of, add in some experimental elements and it’s *chef’s kiss* 👨‍🍳💋

    written 2024 Feb 17

    Ihsahn

    Ihsahn

    “BLOOD TRAILS TO LOVE”

    Ihsahn has a new album out. The sound is proggy black metal over an old film score. Activating memories from childhood watching film noirs and musicals on VHS and listening to metal quietly in my room. What a gorgeous combination.

    written 2024 Feb 16

    Aseitas

    Eden Trough

    “Libertine Captor”

    My first introduction to Aseitas is their new song “Libertine Captor” and I’m all for listening to new first (believer in continual improvement). They’ve got this almost experimental slow hardcore sound, but death metal that is easy to love. With all of their songs there is no “down point” even during the slower more melodic bits. I am definitely awaiting their new album, and as a new listerner I won’t be waiting long.

    written 2024 Feb 15

    Haunted Horses

    The Worst Has Finally Happened

    “Golden Stairs”

    I only happened upon Haunted Horses in 2022 but I could not stop listening and still keep going back and back. Their music reads like a film (am I saying anything right?) filled with chaotic / avant garde noisy goodness. Also, can we please appreciate that their website is named Spooky Ponies. Put out another album soon!

    written 2024 Feb 14

    Ὁπλίτης

    Π​α​ρ​α​μ​α​ι​ν​ο​μ​έ​ν​η

    “Μ​ῆ​ν​ι​ν ἄ​ε​ι​δ​ε​, θ​ε​ὰ π​α​ρ​α​μ​α​ι​ν​ο​μ​έ​ν​η ἐ​μ​ο​ῦ​.​.​.”

    Jazzy, avant garde, chaotic, prog metal made by one dude. Ὁπλίτης (“Hoplites”) is one of my favorite chaotic bands on par, for me, with Plebeian Grandstand or KEN mode.

    written 2024 Feb 08

    Départe

    Failure, Subside

    “Ashes in Bloom”

    Départe‘s album stunned me silent and gave me shivers when I first heard it until all I could say was, holy shit. This album takes you on a beautiful journey, one that for me started on my 29th birthday. There’s a lot of sadness and in beauty in every song. Can’t wait to see what In Throes does (which has overlapping band members with Départe). I am really excited to see new music being made.

    written 2024 Feb 07

    Lord Dying

    Clandestine Transcendence

    “Break in the Clouds (In the Darkness of Our Minds)”

    Every song on Lord Dying‘s Clandestine Transcendence feels inbued from other music, then I looked and saw that most people comment the same thinga bout them. I feel the crashing waves of The Ocean and Neurosis and that permeating heartbreak of Baroness, mixed in with a whole lotta other stuff. Which got me thinking that maybe they’re the kinda band that has this nostalgia and familiarity for a decent amount of their fans and everyone has their own references within. One could say that about most art but this band seems a conduit for it.

    written 2024 Feb 07

    Slimelord

    CHYTRIDIOMYCOSIS RELINQUISHED

    “The Beckoning Bell”

    Slimelord‘s “The Beckoning Bell” = The Fantômas Melvins Big Band 🐔+ but make it black metal – 1/2 experimental noise. I need to check my math on this because I haven’t listened to Millennium Monsterwork 2000 in a sec.

    written 2024 Feb 06

    Cower

    Celestial Devastation

    “Aging Stallions”

    I’ve been obsessed with Cower for a little bit now. Gothic newwave hardcore goodness.

    written 2024 Feb 06

    Chapel of Disease

    Echoes Of Light

    “Shallow Nights”

    I really enjoy how they blend classic metal into their music, and I’m someone who isn’t a huge fan of the more well-known metal bands back in the day.

    written 2024 Feb 02

    Persefone

    Lingua Ignota: Part I

    “Lingua Ignota”

    Cower

    Celestial Devastation

    “Hard-Coded in the Souls of Men”

    Cower‘s Celestial Devastation is released today along with Persefone‘s Lingua Ignota: Part I. Today is a good day.

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